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the school for poetic computation: assistive tech, fall 2014

A schematic, back-of-the-napkin style drawing with a cyclical feed between the terms "poetic - assistive - critical - philosophical", and setting up the poles of poetic (philosophical) as opposed to the practical, assistive ("real life" issues)

I’ve been following the work of the School for Poetic Computation, for some time now. What an irresistible name! And one of its founders, Jen Lowe, wrote this absolutely beautiful essay last fall about its origins and rationale:

Experiments with computation are restricted by marketing demands, by defense support, by the pressures of grant funding. AT&T killed Bell Labs one laid-off researcher at a time. What is the new Bell Labs? Where are the spaces for open-ended creative computational experiments?

There is very little support now for creating what one imagines. There never was much, but now there is less. You have to clear the space yourself. Paint the car at night for no good reason. Create an open community biolab. Start a school. Ignore everyone’s expectations but your own.

Oh joy! My people! And this fall, they’re taking on assistive tech as one of the lines of their research. As you might have seen in the way I ran Investigating Normal at RISD last year, I love imagining this open-endedness being nourished in the research space of adaptation and prosthetics. I’ve been asked to join the gang in some capacity; more news on that if it all comes together.

Meanwhile, more from Lowe’s essay about what goes on at the school:

People want to know how the school is going. Friends, professors, my partner’s parents. The thing is, I’m not even sure what the school is. One of the students says it’s an art installation. I hope he means that in a good way.

There have been workshops on 3D printing, color, circuits, math, Node.js, Python, openFrameworks, storytelling, Raspberry Pi, Arduino.

Every week: The Art of Walking and Kitchen Table Coders. Also: Open Dinner. Upcoming: Wifi Everything. (Only a few of us are sure what that means.)

Readings: Deleuze. Alexander Galloway. Kate Crawford. Jan Zwicky. Et cetera.

Questions: How can we measure time with space? How can we get the machines to see each other? How do I make the world more loving? How do I know the machine understands me?

Discussions: What the hell is poetic computation, anyway? Are we being poetic enough? How do we decide what to make? What is the final show? Should we schedule workshops or should we schedule making? Should we find solitude or stick with the group? The theme recurs: now that we’ve cleared the space, how do we fill it?

A typeface designer and a creative technologist turned a red LED into an occupied light for the bathroom.

Someone wants to make grass scream when it’s stepped on.

Someone is feeding weather through a music box.

You can sign up for this big ride at the School’s web site. I can’t wait to see the work that results.

Image: One of Taeyoon Choi‘s many enigmatic thinking-drawings, from SFPC’s web site.

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One thought on “the school for poetic computation: assistive tech, fall 2014

  1. It’s amazing how you can interact with so many topics, and mix them into one large entity. You mention machines that might one day communicate in how they think and feel, but I am sure one day this will be reality, and this is at least 10 years away. I think one day the world will be run by robotic machines, and we will eventually be slaves, to this fast moving technology world

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