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Monthly Archives: October 2011

"curiosity is a vice"
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"curiosity is a vice"

Posted on October 14, 2011 by sarahendren • Leave a comment

“…that has been stigmatized in turn by Christianity, by philosophy, and even by a certain conception of science. Curiosity, futility. The word, however, pleases me. To me it suggests something altogether different: it evokes “concern”; it evokes the care one takes for what exists and could exist; a readiness to break up our familiarities and … Continue reading »

material interfaces, part ii
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material interfaces, part ii

Posted on October 13, 2011 by sarahendren • Leave a comment

First, just quickly: I’m quoted in Monday’s Boston Globe article about the Awesome Foundation. I’ve sung their praises here before, of course. And I’m now through the first section of work in my course on Crafting Material Interfaces at the MIT Media Lab. (Here’s the first post about this class.) We’re documenting our work all … Continue reading »

radicalism and "miniaturized music"
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radicalism and "miniaturized music"

Posted on October 3, 2011 by sarahendren • Leave a comment

“We do not return to individualized or privatized emotions when we use the Walkman: rather the Walkman’s artificiality makes us aware of the impending presence of the collective, which summons us with the infallibility of the sleepwalker. What the Walkman provides is the possibility of a barrier, a blockage between ‘me’ and the world, so … Continue reading »

AGNES: the age suit
re-blog

AGNES: the age suit

Posted on October 1, 2011 by sarahendren • Leave a comment

The Age Lab, at MIT. Thanks, Tim. Continue reading »

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Abler is run by Sara Hendren. I'm tracking and commenting on art, adaptive technologies and prosthetics, the future of human bodies in the built environment, and related ideas. At my personal site, I document my own artworks and experiments in collaborative research.

If you’re looking for the big ideas animating this site, start here or read my recent interview with Rhizome, "Inside the Prosthetic Imaginary."

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